John Joseph Earley | |
---|---|
Born |
New York |
December 12, 1881
Died |
Washington, DC |
November 25, 1945
Occupation | Artisan, craftsman, architect |
John Joseph Earley (born 1881 New York City - November 25, 1945) was the son of James Earley, a fourth generation Irish stone carver and ecclesiastical artist. A skilled artisan, architect, and innovator in the use of concrete Earley is best known for the invention of the Earley Process, a technique also known as polychrome, architectural or mosaic concrete.
At age seventeen, he began work as an apprentice at his father’s studio in Rosslyn, Virginia to learn sculpture, modelmaking, and stonecarving. James Earley moved his family to Washington, DC in 1900 and leased property on G Street to build a new home for his business. Basil Taylor, another apprentice, impressed James with his ability and when James became seriously ill, he asked Taylor to stay on and help his son run the studio. In 1907, he built the John J. Earley Office and Studio at 2131 G Street, Northwest, Washington, D.C.
After his father’s death, John Earley and Basil Taylor changed the focus of the work from stone and sculpture to plaster and stucco and over the next several years built the Earley Studio to become a significant business. The Earley Studio received contracts for both government and private work, including the remodeling of the interior of the White House during President Roosevelt’s first term, and the elaborate main lobby of the new building for the Willard Hotel, constructed in 1902 at Pennsylvania Avenue and 14th Street NW in Washington, DC.
In 1906, Earley began investigating exposed aggregate concrete. Attracted to the use of color in Byzantine architecture, he was interested in trying to duplicate this effect in concrete. In 1914, Earley modeled a stylized Indian Head bust for the Q Street Bridge, now known as the Dumbarton Bridge, being constructed over Rock Creek Park in Washington, DC, using as a basis the life mask of Sioux Chief Kicking Bear (from Earley's model, 56 sandstone busts were then carved for the bridge).