John Ferguson Weir

John Ferguson Weir
Robert Walter Weir, "Portrait of John Ferguson Weir", 1864-65
Born	(1841-08-28)August 28, 1841 West Point NY
Died	April 26, 1926(1926-04-26) (aged 84) Providence RI
Resting place	Grove Street Cemetery, New Haven CT
Spouse(s)	Mary Hannah French

John Ferguson Weir (1841–1926) was an American painter, sculptor, writer, and educator. He was a son of painter Robert Walter Weir, long-time professor of drawing at the Military Academy at West Point. His younger brother, J. Alden Weir, also became a well-known artist who painted in the style of American Impressionism.

He was born August 28, 1841, at West Point, New York, and studied with his father Robert Walter Weir and at the National Academy, New York. As a young man, he worked on still life paintings and became proficient at landscapes. In 1862, around the time of his 21st birthday, he was commissioned by the art patron Robert Leighton Stuart to paint a landscape scene of West Point which he named Hudson Highlands, West Point, Summer Afternoon. It is also known as View of the Hudson Highlands, West Point. This commission introduced him to the art world of New York City, and led to his renting a small room in the Tenth Street Studio, where he became acquainted with many of the rising young artists of the day.

His next major work was An Artist's Studio, depicting his father painting in his studio. It was finished in 1864 and then exhibited at the Athenaeum Club and the National Academy of Design. The work became his first major sale, and led to his election as an associate of the National Academy.

Weir became fascinated with the West Point Iron and Cannon Factory, across the Hudson from West Point, a factory that manufactured most of the large guns for the Union during the Civil War. His third major work was The Gun Foundry, 1866, an unusual interior factory scene that depicts the casting of a Parrott Gun. This work was well received at the 1866 spring exhibition of the National Academy of Design and led to his election as a full academician.

His fourth major painting was Forging the Shaft, 1868. It was also painted at the West Point Foundry, but after the end of the Civil War, and showed the creation of a great shaft for the propeller of an ocean liner. Exhibited at the Academy in 1868, it was also very well received. It was destroyed by fire in 1869, and Weir painted a replica between 1874 and 1877.