John Davies (photographer)

John Davies (born 1949 in Sedgefield, County Durham, England) is a British landscape photographer. He is known for completing long-term projects documenting Britain and exploring the industrialisation of space. In 2008, he was nominated for the Deutsche Börse Photography Prize.

Davies was born in Sedgefield, County Durham, in 1949. He grew up in coal mining and farming communities, and this combination of open space and industry was to become a persistent motif in his creative work. His early life was spent living in industrial landscapes in County Durham and Nottinghamshire.

He studied photography, first attending Mansfield School of Art to complete a foundation course, then studying at Trent Polytechnic (now Nottingham Trent University), graduating in 1974. Following this, he began working on long-term projects, seeking commissions and arts funding to support his work. He has worked closely with Amber/Side Collective on a number of commissions.

In 1981, Davies won a one-year photography fellowship at Sheffield Polytechnic, and he became senior research fellow at the Art School of University of Wales Cardiff (UWIC) in 1995.

He is known for producing large photographic prints of images produced from high vantage points, using traditional darkroom techniques. His work in the 1980s primarily used medium format cameras, and work from the 1990s a large format camera, although in recent years he has begun using dSLR and digital medium format cameras in his work as well. While his career began by producing traditional, but masterful, landscape images he quickly progressed to composition where the natural environment was juxtaposed against industrial elements impinging on it. This theme of industrialisation has become more prominent with The British Landscape his best-known body of work, and recent work in Mount Fuji, Japan (Fuji City), a meditation on the balance between nature and industry. He has also become involved in local politics, as his interest in the use of public space has been both personal and professional. The shift in subject matter also developed into a fascination with urban regeneration and work on this includes his Metropoli Project, City State, and Cities on the Edge, the latter of which he curated, in addition to contributing images of his own.

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