Johannes Edfelt

Bo Johannes Edfelt (December 21, 1904 – August 27, 1997), was a Swedish writer, poet, translator and literary critic.

A native of Tibro, Edfelt was elected to be a member of the Swedish Academy in 1969, occupying seat No. 17. He succeeded Erik Lindegren and, following his death, was succeeded by Horace Engdahl.

Amongst other writings, Edfelt translated works by Nelly Sachs, Georg Trakl, Novalis, Andreas Gryphius, T. S. Eliot and Ezra Pound.

Edfelt was the son of lieutenant August Edfelt and Ellen Hellner. He grew up in Skara, where he studied Latin and Greek at the senior high school. In fall 1923, he studied Nordic Languages at Lund University. He also attended public lectures in Philosophy and History of Literature.

From 1924 to 1930, with exception from his military service in 1925–26, Edfelt studied Nordic Languages, English, German, History of Literature and Pedagogics, including a course in History of Philosophy, at Uppsala university. During this period, he attended student circles that discussed Sigmund Freud and Carl Gustav Jung.

After he had taken his Master's Degree in Uppsala in spring 1930, Edfelt moved to Stockholm. The financial crisis following the Wall Street crash of 1929 soon made its impact on the Swedish labor market, and in the beginning of the 30s Edfelt earned his living by writing literary reviews. In fall 1931, he was hired as a temporary-staff master at the municipal school in Storvik in Gästrikland.

During winter 1930–31, Edfelt in Stockholm became acquainted with the female artist Hélène Apéria, to whom he later would dedicate his collection Aftonunderhållnng (Evening Entertainment). On March 2, 1932 the couple married at Nyloftet in Skansen in Stockholm.

In 1933, Edfelt temporary moved to the small town of Mariefred, where he completed his collection Högmässa (High Mass) under observation from the older poet Bertil Malmberg, who had settled down in the country idyll after his years in Munich.

In 1923, Edfelt made his debut with the poetry collection Gryningsröster (Dawn Voices) 1923, when he was only 19 years old. Then followed the collections Unga Dagar (Young Days) 1925 and Ansikten (Faces) 1929. Except the classics, he was influenced by Franz Werfel, Bertolt Brecht, Erich Kästner, Vilhelm Ekelund, Harriet Löwenhielm och Birger Sjöberg.

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