Joe the King | |
---|---|
Directed by | Frank Whaley |
Produced by | Jennifer Dewis, Scott Macaulay, Lindsay Marx, Robin O'Hara |
Written by | Frank Whaley |
Starring |
Noah Fleiss Val Kilmer Karen Young Ethan Hawke John Leguizamo Austin Pendleton Camryn Manheim Max Ligosh Chief Jimmy Costa |
Release date
|
|
Country | United States |
Language | English |
Joe the King is a 1999 drama film, written and directed by Frank Whaley, based largely on his own childhood and the childhood of his brother. It stars Noah Fleiss, Val Kilmer, Karen Young, Ethan Hawke, John Leguizamo, Austin Pendleton, Camryn Manheim, Max Ligosh and James Costa. The film premiered at the 1999 Sundance Film Festival, where it won the Waldo Salt Screenwriting Award (shared with Guinevere).
14-year-old Joe Henry (Noah Fleiss) has spent his life in an abusive household. His father Bob (Val Kilmer) is a raging violent alcoholic, while his mother, Theresa (Karen Young) feels too stressed to pay attention to him and lives in fear of getting caught in the path of her husband's wrath. His brother, about a year older, is normal and friendly, but offers no affirmative guidance. He mostly ignores Joe as he doesn't want the association of Joe's natural uncoolness ruining his attempts to get into the "in" crowd. Joe is taunted by his classmates, and hassled by creditors about his father's mounting bills. To make matters worse, one night Bob goes off the deep end and smashes all of Theresa's records. In response to economic pressure, Joe takes a full-time job after school, leaving him tired and even less able to keep up with class work. Far worse, he becomes a petty thief to raise the money to pay Bob's bills and replace her records. He even does an insider job—robbing the diner where he works illegally.
Failing in school, Joe is assigned a Guidance counselor Leonard Coles (Ethan Hawke), who, though reasonably friendly, is incompetent. (For example, in their first session, when Joe starts to talk about his problems, the counselor unthinkingly shuts him off). Disaster eventually strikes, and Joe faces the rest of his seemingly doomed life in doubt. Ironically, where he winds up next seems more like hope than tragedy. Perhaps a chance to get away from his horrible childhood and family.