Jim Nolet (born 1961) is an American jazz violinist, artist, performer, and educator known internationally as a composer/improviser in world and jazz idioms. He has a particular interest in the music of Brazil. He has performed in the United States, Canada, Europe, Japan, and Latin America.
Nolet studied at the Juilliard School and the Cornish College of the Arts, where he studied privately with jazz bassist Gary Peacock. He has performed or recorded with David Murray, Fred Hopkins, Hilton Ruiz, John Hicks, Joanne Brackeen, Hamiet Bluiett, Cecil Taylor, Don Cherry, Arturo O'Farrill, and the Jazz Passengers. Nolet has received critical acclaim, with Down Beat magazine awarding Nolet in the “International Critics Poll” for “Talent Deserving Wider Recognition," and C. Michael Bailey, (allaboutjazz) describing Nolet as "the finest jazz violinist playing."
Nolet began violin, guitar, and percussion at age six. At age 13, he began improvising and playing professionally while continuing his classical studies. His studies extended from Juilliard School to Cornish Institute of the Arts, among others. He also studied violin/viola with: Thomas Rodrique, Dr. Huber, Christine Olason, Professor Chao, Jerome Hines, Gary Peacock (Jazz improvisation, theory/composition), Art Lande (Jazz Composition), Al Galante (Jazz Composition) David Burgess (classical guitar), Eddie Bobe (Afro Cuban percussion), and Rodrigo Rodrigues Goncalves (Brazilian percussion). His “symphonic” work includes among others: the NYU Symphony Orchestra and the Federal Way Symphony. Nolet’s jazz Identity took shape in workshops, studios and clubs in New York, where his work in the mainstream, bop, and Latin music circles ensured the development of a jazz and world music foundation that is encompassed in his work.