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Jil Jung Juk

Jil Jung Juk
Jil Jung Juk.jpg
Directed by Deeraj Vaidy
Produced by Siddharth
Written by Deeraj Vaidy
Mohan Ramakrishnan
Starring Siddharth
Sananth Reddy
Avinash Raghudevan
Radha Ravi
R. Amarendran
Narrated by Siddharth
Music by Vishal Chandrashekhar
Cinematography Shreyaas Krishna
Edited by Kurtz Schneider
Production
company
Etaki Entertainment
Release date
12 February 2016
Running time
136 minutes
Country India
Language Tamil
Jil Jung Juk
Soundtrack album to Jil Jung Juk by Vishal Chandrashekhar
Released 10 November 2015
Genre Feature film soundtrack
Language Tamil
Label Think Music India

Jil Jung Juk (English: The Good, The Average, The Unworthy) is a 2016 Indian neo-noir post-apocalyptic black comedy film co-written and directed by Deeraj Vaidy, starring Siddharth, Avinash Raghudevan and Sananth Reddy in the lead roles. The film, which had cinematography by Shreyaas Krishna and music by Vishal Chandrashekhar, was produced by Siddharth and had a theatrical release on 12 February 2016. Despite receiving positive reviews, the film bombed at the box office.

Siddharth took a brief hiatus from acting after finishing Enakkul Oruvan (2015), before choosing to produce and appear in his next film. He chose to collaborate with newcomer Deeraj Vaidy on a comedy film titled Jil Jung Juk and the film was reported to be in production during May 2015. The film's title was taken from a dialogue spoken by Vadivelu from Kaadhalan (1994) and refers to three different types of people. The film's first look was released by director Karthik Subbaraj in late October 2015. A single called "Shoot the Kuruvi" was released and won critical acclaim, helping promote the film prior to release.

The film opened on 12 February 2016. Sify.com stated, "The film is occasionally ‘Jil’ mostly ‘Jung’ and largely ‘Juk’", while in contrast, Indiaglitz.com rated the film 3.8/5 and wrote "a wickedly entertaining dark comedy".The Hindu's Baradwaj Rangan noted that the film was "quirky but little else" stating "it’s all rather queer, but does oddity necessarily equate to enjoyability?".



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