Jessica Jackson Hutchins

Jessica Jackson Hutchins
Born	1971 Chicago, IL
Nationality	American
Education	M.F.A., School of the Art Institute of Chicago; Post-bacc, School of the Art Institute of Chicago; B.A. in Art History, Oberlin College

Jessica Jackson Hutchins (born 1971) is an American artist from Chicago, Illinois who is based in Portland, Oregon. Her practice consists of large scale ceramics, multi-media installations, assemblage, and paintings all of which utilize found objects such as old furniture, ceramics, worn out clothes, and newspaper clippings. She is most recognizable for her sloppy craft assemblages of furniture and ceramics. Her work was selected for the 2010: Whitney Biennial, featured in major art collections, and has been exhibited throughout the United States and internationally, in Iceland, the UK, and Germany.

Jessica Jackson Hutchins received a BA in Art History from Oberlin College, graduating Cum Laude. In 1997 she finished a Post-Baccalaureate degree at the School of the Art Institute of Chicago. She went on to receive an MFA from The School of the Art Institute of Chicago in 1999. Though she was in the Painting and Drawing Department, she produced very little paintings as she preferred to work in wire and papier-mâché. Hutchins studied under and was influenced by Susanne Doremus and Gaylen Gerber.

Her use of every day objects has evolved over the years based on her surroundings. In college, she incorporated beer bottles and packaging. After college, coffee cups appeared in her work. Post becoming a mother, she included her children's worn-out clothing. Motherhood and her children have become some of the most influential factors in her work. Much of Hutchin's work is about the domestic sphere and human interaction with forms acting as substitutions for the human form. The furniture pieces used in her work were once in her own home.

The Portland Mercury reported in September 2006 that "her ceramics (steeped in a California funk attitude), papier-mache sculptures, and collages share a crass aesthetic and a preoccupation with the thin line between disaster and success that disguise a genuine attempt to convey ideas about communion, fear, and loneliness." Her show at Reed College's Caseworks drew similar analysis.

...
Wikipedia