Jeremy Beck, born 1960, is an American composer who "knows the importance of embracing the past while also going his own way." The critic Mark Sebastian Jordan has said that "Beck was committed to tonality and a recognizable musical vernacular long before that became the hip bandwagon it is today. Indeed, [he is] ... an original voice celebrating music."
Beck's short comic opera, Review, with a libretto by Patricia Marx, was one of three finalists in the 2010 National Opera Association's New Chamber Opera Competition. It was performed by Oberlin Opera Theater in February, 2014, and twice by Peabody Opera: in October, 2011 in Baltimore, and in Richmond, Virginia, at the College Music Society's annual convention.Review was previously included in the 2009 Opera America and Houston Grand Opera New Works Sampler. Following that successful showcase, Review was then produced by the Moores Opera Center at the University of Houston and later was given its New York premiere by the Center for Contemporary Opera.
Beck's opera The Biddle Boys and Mrs. Soffel was named by the Pittsburgh Post-Gazette as one of the Top Ten Cultural Events in Pittsburgh for the year 2001.
With a libretto by the composer based on a novel by Joyce Carol Oates, his monodrama Black Water received its stage premiere on April 29, 2016. Produced by the Center for Contemporary Opera, the sold-out production at Symphony Space's Thalia Theater in New York City featured Laura Bohn, soprano, and Isabella Dawis, piano, with music direction by Lidiya Yankovskaya and stage direction by Eugenia Arsenis.
Beck has released five CDs of his music on the innova label. The critic Donald Rosenberg describes the music on Beck's most recent CD, String Quartets (2013), as "forceful and expressive … concise in structure and generous in tonal language, savouring both the dramatic and the poetic," while Joshua Kosman of the San Francisco Chronicle states Beck's music is "appealing and skillfully crafted … [with] lush tonal harmonies." Kosman further observes that "novelty isn't the only thing music can provide, and the moody expressiveness of Beck's writing is its own reward."
Beck's 2011 CD, IonSound Project, features the ensemble-in-residence at the University of Pittsburgh. His music on this recording has been described as "uplifting, buoyant and ... emotional and sensitive to both the performer and the listener." In addition, critic Andrew Sigler finds Beck's music "rhythmically intricate, and makes nods to the past while sitting squarely in the present. … Though architecturally rigorous, Beck writes clearly and without pretense[.]"