Jenny Harper

Jenny Gwynndd Harper (born Geraldine, New Zealand, 27 April 1950) is a New Zealand academic and museum professional. She is currently the director of Christchurch Art Gallery.

Harper completed a Bachelor of Arts at the University of Canterbury in 1972; a Diploma of Secondary Teaching at Christchurch Teacher's College in 1976 and a Master of Arts in Religious Studies at the University of Canterbury in 1977. In 1982 she completed a Master of Philosophy (in Art History) at the Courtauld Institute, University of London and in 1983 a Diploma in Museum Studies at the University of Sydney.

Harper began her career in art museums in 1983 as assistant curator in the International Prints and Illustrated Books department of the National Gallery of Australia. From 1983 to 1986 she was curator of European Art at the Queensland Art Gallery.

In 1986 Harper returned to New Zealand and became Senior Curator of international art at the National Art Gallery in Wellington (prior to the merger of the National Art Gallery and National Museum to form the Museum of New Zealand Te Papa Tongarewa). During this time Harper curated exhibitions of the work of Barbara Kruger (1988) and Cindy Sherman (1989). In 1988–1989 Harper was part of the Institutional Planning Team for the Museum of New Zealand Te Papa Tongarewa, and from 1990 the director of the National Art Gallery, Wellington, until legislative change took effect in 1992 at which point she became the Director, Art and History, Museum of New Zealand Te Papa Tongarewa. During 1994 Harper was Director, Museum Projects at Te Papa.

In 1995 Harper left Te Papa to take up a position as Head of Art History at Victoria University of Wellington; between 2001 and 2004 she was Head, School of Art History, Classics and Religious Studies at the university and in 2004 was appointed Assistant Vice-Chancellor (Academic). During her time at Victoria University Harper was a driving force behind the establishment of the Adam Art Gallery, a project which involved the controversial sale of a major work by Colin McCahon, which the artist had gifted to the university, to fund a budget shortfall and provide an endowment for future collection acquisitions.

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