Jennifer Camper
| Jennifer Camper | |
|---|---|
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| Nationality | Lebanese-American |
| Area(s) | LGBT comics |
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Notable works
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Rude Girls and Dangerous Women Juicy Mother Qu33r |
| https://www.jennifercamper.com | |
Jennifer Camper is an American comics artist and graphic artist whose work is inspired by her own experiences as a Lebanese-American lesbian woman. Her work has been included in various outlets such as newspapers and magazines since the 1990s, as well as in exhibits in Europe and the United States. Furthermore, Camper is the creator and director of the biennial Queers and Comics conference.
Camper, who is openly lesbian, has been producing comics since the 1980s. Her work has appeared in many publications including The Village Voice, San Francisco Bay Times, Ms. Magazine, Curve, On Our Backs, Washington Blade, The Advocate, Out Magazine, and Girlfriends, among many, many others. Her work has also appeared in comic anthologies such as Boy Trouble, edited by Robert Kirby; Gay Comix; and The Great Women Cartoonists and A Century of Women Cartoonists, both edited by Trina Robbins; to give just a small example. She has released two books of her comic art: Rude Girls and Dangerous Women, published by Laugh Lines Press in 1994 and SubGURLZ, published by Cleis Press in 1999.
Camper is also the editor of the important anthology of queer comics entitled Juicy Mother. It is the first anthology of queer comics to have appeared since the release of Gay Comix, edited by Howard Cruse, which was first released in 1980 and appeared throughout the 1990s. Two volumes of Juicy Mother have been released so far. The first, entitled Juicy Mother: Celebration, was published by Soft Skull Press in 2005. This anthology featured the work of the artists and writers Alison Bechdel, the aforementioned Howard Cruse, Diane DiMassa, Michael Fahy, Leanne Franson, Joan Hilty, G.B. Jones, Rupert Kinnard, Robert Kirby, Serena Pillai, Karen Platt, Ariel Schrag, Robert Triptow, Ivan Velez Jr., Stephen Winter and Camper herself. The anthology was a finalist for the 18th Annual Lambda Literary Awards in the Humor category.
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