Jello Biafra and the Guantanamo School of Medicine

Jello Biafra and the Guantanamo School of Medicine
Jello Biafra in performance, 2011
Background information
Origin	San Francisco, California, United States
Genres	Punk rock, hardcore punk, Rockabilly
Years active	2008–present
Labels	Alternative Tentacles
Website	MySpace page
Members	Jello Biafra Ralph Spight Kimo Ball Larry Boothroyd Jason Willer
Past members	Billy Gould Jon Weiss Paul Della Pelle Andrew Weiss

Jello Biafra and the Guantanamo School of Medicine is a punk rock band led by Jello Biafra. They released their debut album, The Audacity of Hype in October 2009.

Inspired by Iggy Pop's 60th birthday gig at the Warfield in San Francisco, Biafra laid plans for his own 50th birthday party and finally decided it was time to start a band of his own. Ten years before he had been attempting the same thing with the likes of guitarist Ralph Spight (Victims Family, Freak Accident, Hellworms) and drummer Jon Weiss (Sharkbait, Horsey). They had also previously worked with bassist Billy Gould (Faith No More) who was tapped for the new group. After cramming rehearsal for a month the four piece band known as Jello Biafra and the Axis Of Merry Evildoers took the stage in a sold-out two night stand at San Francisco's Great American Music Hall and subsequently spent the next 9 months in rehearsal for an album project. Before entering the studio guitarist Kimo Ball (Freak Accident, Carneyball Johnson, Mol Triffid, Griddle) was recruited and the resulting twin guitar attack took the groups sound to new, noisier heights. The quintet now known as Jello Biafra and The Guantanamo School of Medicine began recording tracks for the upcoming LP/CD "The Audacity Of Hype" slated for release in October 2009, produced by Biafra and engineered by Hip Hop legend and long time Jello co-conspirator Matt Kelley (Hieroglyphics, Tupac Shakur, Digital Underground, Victims Family) at Prairie Sun Recording in Cotati, CA and San Francisco's Hyde Street Studios.

The band's sound retains some of the spy-music-on-meth chaos of the Dead Kennedys while adding a healthy dose of Detroit style proto-punk mixed with layers of sonic guitar noise, and Weiss' industrial excursions into metal percussion. Topically, the album explores how our forced Iraqnophobia and Homeland Insecurity continues to feed lawlessness at the top, such as in the song "The Terror of Tiny Town," vs. a runaway police state and class war towards the bottom, for example in the songs "Three Strikes" and "Electronic Plantation." "Clean As A Thistle" evokes family values blowhards caught in sinful trysts, while album closer "I Won't Give Up" offers an age of Obama anthem on how change comes from agitation from below, not glamor and soundbites from the top.