Jeanne d'Arc au bûcher

Jeanne d'Arc au bûcher (Joan of Arc at the Stake) is an oratorio by Arthur Honegger, originally commissioned by Ida Rubinstein. It was set to a libretto by Paul Claudel, and the work runs about 70 minutes.

It premiered on 12 May 1938 in Basel, with Rubinstein as Jeanne, and Jean Périer in the speaking role of Brother Dominique, with the Basel Boys Choir singing the children's chorus part, and Paul Sacher conducting.

The drama takes place during the heroine's last minutes on the stake, with flashbacks to her younger days and her trial. Honegger entitled his work a dramatic oratorio, adding speaking roles and actors. The work has an important part for the ondes Martenot, an early electronic instrument (played at the premiere by its inventor Maurice Martenot).

Claudel's dramatic frame provided Honegger with a space – between heaven and earth, past and present – where he could mix styles from the popular to the sublime. A hybrid work: partly oratorio and partly opera, Honegger uses all his musical means, monody, harmony and counterpoint to build towards sculpted blocks of sound.

At its première in Basel the piece was an immediate success, with critics almost unanimous in praising a perfect cohesion between words and music. On 6 May 1939 after rehearsals at the Salle Pleyel in Paris, the work was semi-staged with designs by Alexandre Benois at the Théâtre Municipal in Orléans conducted by Louis Fourestier.

The work was heard again in Basel on 12 May 1939 and then in Zurich on the 14. On 13 June that year at the Palais de Chaillot it was conducted by Charles Munch (who also gave the United States premiere in New York in 1948). After the outbreak of war the work was performed at the Salle Pleyel on 22 February 1940 and in Brussels on 29 February that year. Sacher and Rubinstein made abortive plans for further performances that year, including the Lucerne Festival. On 26 February 1947 Rubinstein organised a concert performance at the Palais des Fêtes in Strasbourg, conducted by Fritz Munch (brother of Charles), which was repeated the following year on 13 June 1948 in the presence of the composer. The work was first performed in Canada at the Montreal Festivals in 1953 under conductor Wilfrid Pelletier.

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