Jeanne Joulain (22 July 1920 – 1 February 2010) was a French organist, concertist and music educator.
Born in Amiens, Joulain's first contact with music was made thanks to her musician parents. Hier father, a teacher in Paris, played the violin and her mother was a piano teacher. So it's only natural that she should start playing the piano with her mother. In 1934, after a decisive meeting with the great pianist Raoul Koczalski, Jeanne Joulain entered the conservatory of Amiens. During her studies, she followed the classes of solfeggio, piano (class of Maurice Coze), cello (class of Mario Camerini, pupil of Paul Bazelaire), chamber music, orchestra, harmony, counterpoint, musical composition (classes of Pierre Camus, the director, himself a pupil of composition of Charles-Marie Widor, and organ when the class was created in 1936 (class of Colette Ponchel, one of the last pupils of Louis Vierne) where she won the first prizes. It was during this period that her pedagogical activity began, as she had to make several replacements for teachers of music theory, piano, cello, harmony and organ.
In 1938, the grand organ of Amiens Cathedral was restored. After the inauguration concert given by Marcel Dupré, a small orchestra was formed to accompany Salvation. Jeanne Joulain was a member of this orchestra as a cellist and it was on this occasion that she was introduced to Marcel Dupré by Pierre Camus, the director of the conservatory.
In 1943, after her first training at the Conservatoire d'Amiens, her desire to go further prompted her to enrol at the École César Franck, where she perfected in the same disciplines and obtained diplomas of piano (class of Jean Batalla), cello (class of Edwige Bergeron-Brachet), organ (class of Édouard Souberbielle and Abel Decaux) after two years. In addition, she won the diploma of musical composition (class of Guy de Lioncourt) after five years.