Jean-Baptiste Oudry

Jean-Baptiste Oudry (17 March 1686 – 30 April 1755) was a French Rococo painter, engraver, and tapestry designer. He is particularly well known for his naturalistic pictures of animals and his hunt pieces depicting game.

Jean-Baptiste Oudry was born in Paris, the son of Jacques Oudry, a painter and art dealer, and his wife Nicole Papillon, relative of the engraver Jean-Baptiste-Michel Papillon.

His father was a director of the Académie de St-Luc art school, which Oudry joined. At first, Oudry concentrated on portraiture, and he became a pupil and perhaps a collaborator of Nicolas de Largillière from 1707 to 1712. He graduated at only 22 years of age, on 21 May 1708, at the same time as his two older brothers. The next year, he married Marie-Marguerite Froissé, the daughter of a miroitier (a mirror-maker) to whom he gave lessons in painting.

Oudry became an assistant professor at Académie de Saint-Luc in 1714, and professor on 1 July 1717. He was inducted as a member of the prestigious Académie Royale de Peinture et de Sculpture in 1719, and was engaged as a professor there in 1743. After producing mainly portraits, Oudry started to produce still life paintings of fruits or animals, as well as paintings of religious subjects, such as the Nativity, Saint Giles, and the Adoration of the Magi.

In the 1720s Oudry was commissioned by Noël-Antoine de Mérou, director of the Royal Beauvais Tapestry Manufactory to create the designs for what has come to be one of the most iconic series of tapestries of the period. The series was called The Pastoral Amusements, or Les Amusements Champêtres.

Through his friend, Jean-Baptiste Massé, a portrait-painter and miniaturist, Oudry was introduced to the Marquis de Beringhen, hereditary master of the royal stables, for whom he painted a pair of paintings in 1727, followed by a suite of landscapes in the Flemish manner. Through this connection, he was commissioned to produce the painting that made his reputation, Louis XV hunting a deer in the Forest of Saint-Germain (1730; now at Toulouse). Subsequently he was commissioned to produce numerous works for the King, who was passionate about the hunt and appointed Oudry Painter-in-Ordinary of the Royal Hunt, in which capacity he produced portraits of dead game, the day's kill. Oudry was granted a workshop in the Tuileries and an apartment in the Louvre.

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