Jangle-pop
| Jangle pop | |
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A Rickenbacker 360/12, identical to the model commonly used to produce "jangly" guitar sounds in the 1960s
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| Stylistic origins | |
| Cultural origins | Late 1950s to mid-1960s, United States and United Kingdom |
| Typical instruments | Twelve-string electric guitar |
| Derivative forms | |
| Subgenres | |
| Other topics | |
Jangle pop is a subgenre of pop rock that emphasizes trebly, ringing guitars (usually 12-string electrics) and 1960s-style pop melodies. While the Everly Brothers and the Searchers laid the foundations for the style, the Beatles and the Byrds are commonly credited with launching the popularity of the "jangly" sound that defined the genre. Particularly, the Byrds' recording of "Mr. Tambourine Man" (1965), which coined the genre name from the lyric "jingle-jangle morning" accompanied by the sounds of chiming guitars. Even though many subsequent bands drew hugely from the Byrds, they did not fit into the folk rock continuum as the Byrds did.
In the early to mid 1980s, the term "jangle pop" emerged as a label for an American post-punk movement that recalled the sounds of "jangly" acts from the 1960s. Between 1983 and 1987, the description "jangle pop" was, in the US, used to describe bands like R.E.M. and Let's Active as well as the Paisley Underground subgenre, which incorporated psychedelic influences. In the UK, the term was applied to the new wave of raw and immediate sounding melodic guitar-bands collected on the NME's C86 compilations.
The Everly Brothers and the Searchers laid the foundations for jangle pop in the late 1950s to mid 1960s; examples include "All I Have to Do Is Dream" (1958) and "Needles and Pins" (1964).The Beatles' use of the jangle sound in the songs "A Hard Day's Night", "What You're Doing", "Words of Love" (1964), and "Ticket to Ride" (1965) encouraged many artists to use the jangle sound or purchase a Rickenbacker 12-string guitar.
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