Jan Williams

Jan Williams (born Jan Gardner Williams, July 17, 1939 in Utica, New York) is a percussionist, arts administrator, teacher, conductor, and composer who has championed avant-garde and progressive music in the United States. He is recognized as an important proponent of percussion performance and its literature.

Williams first studied drums in elementary school in Utica, NY under George Claesgens. After experience playing snare drum in marching and concert bands, he began to study timpani while in high school. At Clarkson University (Potsdam, New York), then called Clarkson College, he elected an Electrical Engineering major because his teachers discouraged music as a career. Within a year, he was out of school, and the following fall he entered the Eastman School of Music to study with William Street, who advised Williams to study the keyboard percussion instruments seriously. Sometime during that year at Eastman, Williams read a magazine article that praised the work of Paul Price, a percussion teacher at the Manhattan School of Music who was performing new music for percussion ensemble. In the Fall of 1959, Williams moved to New York City to study with Price at the Manhattan School of Music. He spent five years at the Manhattan School, earning a bachelor's degree (1963) and master's degree (1964) in music performance. From 1962 to 1964, he was a member of the American Symphony Orchestra under conductor Leopold Stokowski. In 1964, Williams was selected as one of the first Creative Associates at the Center of the Creative and Performing Arts at the University at Buffalo, which was founded by Lukas Foss and Music Department Chair, Allen Sapp. He remained at UB, where he created the Percussion Ensemble, with fellow Creative Associate percussionist, John Bergamo, continued an active performance career specializing in contemporary music and served as chair of the Music Department from 1981 to 1984. He retired in 1996 as Professor Emeritus. Williams also served as Artistic Director of the Center of the Creative and Performing Arts from 1974 to 1979 and as its resident conductor from 1976 to 1980. He co-directed, with Yvar Mikhashoff, the North American New Music Festival from 1983 to 1992.

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