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James Sant


James Sant CVO RA (1820–1916) was a British painter specialising in portraits and known particularly for images of children and artistic exploration of the symbolism of childhood. He was a member of the Royal Academy. His brother George and sister Sarah were also artists.

Sant was born in Croydon, Surrey, England, on 23 April 1820. He was taught first by the watercolourist John Varley, then by Augustus Wall Callcott, then from the age of twenty was taught by the schools of the Royal Academy.

He lived to the age of 96 and exhibited at the Grosvenor Gallery as well as producing nearly three hundred canvases for exhibition at the Academy. The first of these, a portrait of his father William Sant, was exhibited in 1840; the last was exhibited in 1915. In 1851 he married Elizabeth (Eliza) Thomson, daughter of Dr R.M.M. Thomson, a surgeon and member of the Agri Horticultural Society of India. His 1853 picture of the infant Samuel was his first popular success, and engravings of this and of Little Red Riding Hood and The Soul’s Awakening sold in great numbers.

In 1861, his portraits of friends and relatives of Frances, Lady Waldegrave were exhibited by Ernest Gambart at his Gallery in Pall Mall. This enhanced his reputation and he was elected ARA, and later RA; in 1871 he was appointed Principal Painter in Ordinary (official portraitist) to Queen Victoria, having become known for his portraits of the royal children and in particular his 1870 portrait of Prince Leopold and Princess Beatrice.

Sant is best known for his portraits of children; he was "the emperor of children," in the words of the Athenaeum. Nevertheless, many of his pictures were landscapes and particularly gardens; he also painted seascapes, landscapes with animals, and other subjects including the Wish Tower, a Martello Tower at Eastbourne. His later pictures are freer in style and some have a visionary or mannerist quality; his landscapes could include figures with blank or distorted features or simple silhouettes such as the nun in Convent Walls (1910). He continued painting into old age; All My Fancy! (1910), an Italian landscape with villa and hills, he painted in bed from memory.


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