James Nares (born 1953 in London, England) is a British artist living and working in New York City since 1974. Nares makes paintings and films (most notable being the No Wave Cinema Rome 78) and played guitar in the no wave group James Chance and the Contortions and with Jim Jarmusch in the Del-Byzanteens and was a founding member of Colab.
Nares attended the Chelsea Art School in London from 1972 to 1973. He later studied at the School of Visual Arts in New York from 1974 to 1976.
Nares is best known as a contemporary art painter. His method involves repeated strokes that eventually create a precise representation.
He is known for employing single but intricate gestural brush strokes in most of his works. Grace Glueck, New York Times art critic, described the effect of Nares's paintings as a combination of Japanese calligraphy and the 1960s cartoon works of Roy Lichtenstein.
Nares's paintings have been featured in films and videos focusing on a wide variety of artistic concepts such as, movement, artistic repetition, and rhythm. His work is exhibited in various museums in the United States, such as the Museum of Modern Art in New York, the Albright-Knox Art Gallery in Buffalo, NY, and the Whitney Museum of American Art in New York. Some of his solo exhibitions include 1976: Films and Other Works at Paul Kasmin Gallery, in New York in 2012, and Mixed Use, Manhattan: Photography and Related Practices 1970s to the present in 2010 at the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain.