James Currey
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| Parent company | Boydell & Brewer |
|---|---|
| Founded | 1984 |
| Founder | James Currey |
| Country of origin | United Kingdom |
| Headquarters location | Melton, Woodbridge, Suffolk |
| Publication types | Books |
| Official website | jamescurrey |
James Currey is the leading imprint of academic books on Africa, named after its founder, who established the company in 1984. It publishes on a full spectrum of topics—including anthropology, archaeology, history, politics, economics, development studies, gender studies, literature, theatre, film studies, and the humanities and social sciences generally—and its authors include leading names such as Bethwell Ogot and Ngũgĩ wa Thiong'o.
Named after its founder, the company was established in 1984 when James Currey, originally from South Africa, left his position at Heinemann Educational Books to set up an Africa-focused publisher. At Heinemann, working with Chinua Achebe, Currey had spent more than a decade pioneering Heinemann's African Writers Series (AWS), the set of volumes that was a crucial factor in expanding the reach of African literature after World War II, particularly in English.
Currey cut his publishing teeth at the Cape Town outpost of Oxford University Press, as well as by spending time moonlighting for The New African, a liberal publication he followed into exile in London when it was stamped on by the Apartheid authorities in 1964.
We revived The New African in 1965 in London and, in all, published a total of over 50 issues. Thanks to the Congress for Cultural Freedom, we mailed each issue free to the original subscribers in South Africa. In the end, as Pretoria banned each issue, we had every month to invent a new name such as Inkululeko for the South African edition. Each "New African weekend," I would paste up work by writers with names such as James Ngugi, Bessie Head, Wole Soyinka, Zeke Mphahlele, Dennis Brutus and Chinua Achebe. It was this literary apprenticeship that enabled me to take over running the African Writers Series, with Keith Sambrook, at Heinemann in 1967.
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