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Jacques Dumont le Romain

Jacques Dumont
Jacques DuMont Le Romain by Maurice-Quentin de la Tour.jpg
Jacques Dumont le Romain playing Guitar. By Maurice Quentin de La Tour, date unknown
Born 10 May 1704
Paris, France
Died 1781 (aged 76–77)
Paris, France
Other names Le Romain
Occupation Painter

Jacques Dumont called "le Romain" (10 May 1704 — 1781), was a French history and portrait painter, called "the Roman" from his youthful residence at Rome and to distinguish him from other artists named Dumont, notably his fellow-academician Jean-Joseph Dumont. His father, Pierre, was a court sculptor to the Duke of Lorraine and his elder brother, François (1687/88—1726), was also a sculptor. In addition to his paintings he practiced etching, in which medium he reproduced some of his paintings and, for example, Servandoni's view of the fireworks celebrating the marriage of the dauphin, 1730. Though comparatively unknown today, he enjoyed celebrity and a long, successful career.

Pierre-Jean Mariette, who knew him well, reported that in his youth le Romain made his way to Rome by camping out; Mariette makes errors about his teacher in Rome, however. Dumont returned to Paris in 1725.

In 1727, he first showed at the Paris Salon and in 1728 he was received as a member of the Académie royal de peinture et de sculpture, with a Hercule et Omphale as his morceau de reception. At meetings he terrorized his fellow-academicians with his acerbic and caustic wit. When the engraver Le Bas was refused by the academicians, he remarked, "Stick a chalk-holder up his ass and he'll still draw better than you."

In 1731 he was appointed painter to the tapestry manufacture at Aubusson and served in that capacity until 1755, forming a school of designers there that raised standards of quality. His contract required six cartoons and three designs for pile carpets annually. Aubusson's rivals at the royal manufacture of the Gobelins gave him a back-handed compliment in a memoire to the royal administration dated 10 March 1754, and signed by Audran, Cozette and Neilson: "to prevent the decadence of the Gobelin Factory, it would be necessary to attach to it Sr. Boucher," giving him the assistance of other painters of the Académie such as "Sieurs Dumont Le Romain, Jeaurat, Halle, Challe, Vien."


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