Jacob Lawrence | |
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Self-portrait, 1977; This is typical in terms of color and style in its flattened and abstracted treatment of realistic subject matter
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Born |
Atlantic City, New Jersey |
September 7, 1917
Died | June 9, 2000 Seattle, Washington |
(aged 82)
Nationality | American |
Known for | Painting |
Jacob Lawrence (September 7, 1917 – June 9, 2000) was an African-American painter known for his portrayal of African-American life. But not only was he a painter, storyteller, and interpreter; he also was an educator. Lawrence referred to his style as "dynamic cubism," though by his own account the primary influence was not so much French art as the shapes and colors of Harlem. He brought the African-American experience to life using blacks and browns juxtaposed with vivid colors. He also taught and spent 15 years as a professor at the University of Washington.
Lawrence is among the best-known 20th-century African-American painters. He was 23 years old when he gained national recognition with his 60-panel Migration Series, painted on cardboard. The series depicted the Great Migration of African-Americans from the rural South to the urban North. A part of this series was featured in a 1941 issue of Fortune Magazine. The collection is now held by two museums. Lawrence's works are in the permanent collections of numerous museums, including the Philadelphia Museum of Art, the Museum of Modern Art, the Whitney Museum, the Phillips Collection, Metropolitan Museum of Art, the Brooklyn Museum, and Reynolda House Museum of American Art. He is widely known for his modernist illustrations of everyday life as well as epic narratives of African American history and historical figures.
Jacob Lawrence was born in 1917 in Atlantic City, New Jersey. Jacobs's parents moved him and his siblings from the rural south to the north for a chance at a better life. They divorced in 1924, after which his mother put him and his two younger siblings into foster care in Philadelphia. When he was 13, he and his siblings moved to New York City, where he reconnected with his mother in Harlem. Lawrence was introduced to art shortly after that when their mother enrolled him in after school classes at an arts and crafts settlement house in Harlem, called Utopia Children's Center, in an effort to keep him busy. The young Lawrence often drew patterns with crayons. In the beginning, he copied patterns of his mother's carpets. One of his art teachers noted great potential in Lawrence.