Jackie Daly
| Jackie Daly | |
|---|---|
Jackie Daly, 2012
|
|
| Background information | |
| Born |
22 June 1945 Kanturk, County Cork, Ireland |
| Genres | Irish |
| Occupation(s) | Musician |
| Instruments | Button accordion, Concertina |
| Years active | 1974–present |
| Associated acts | De Dannan, Patrick Street |
Jackie Daly (Kanturk (North Cork, Ireland), 1945) is an Irish button accordion and concertina player. He has been a member of a number of prominent Irish traditional-music bands, including De Dannan, Patrick Street, Arcady, and Buttons & Bows.
Born and raised in the area known as Sliabh Luachra, Jackie Daly is one of the foremost living exponents of the distinctive music of that region. Among his early musical influences were his father, a melodeon (one-row accordion) player, and local fiddler Jim Keeffe, under whose tutelage he began playing at "crossroads dances".
After working in the Dutch merchant navy for several years, Daly decided to become a professional musician on returning to Ireland in the early 1970s. In 1974 he won the All-Ireland Accordion Competition in Listowel, County Kerry. To qualify, he was obliged to play a B/C instrument, at the time the only system sanctioned by the competition organizers, but immediately afterwards returned to his chosen C#/D system. In 1977, his first solo recording was released by Topic Records of London as volume 6 of their Music from Sliabh Luachra series.
Jackie Daly's musical career is notable for partnerships with several fiddlers, beginning with Séamus Creagh. Their 1977 album, Jackie Daly agus Séamus Creagh, brought Sliabh Luachra music to a wider audience and, with its tight unison playing, set the standard for future accordion and fiddle recordings.
Another influential partnership has been with Kevin Burke, on whose 1978 recording If the Cap Fits he made a guest appearance, and with whom he made another highly regarded fiddle-accordion duet album, Eavesdropper (1981).
Jackie Daly was the first of a series of accordionists with De Dannan, appearing on four of their albums between 1980 and 1985. It was his work with this band that is thought by many to have paved the way for the accordion to become a concert-stage, rather than principally a dance-band, instrument in Irish music.
...
Wikipedia