Jack the Ripper | |
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Directed by |
Monty Berman Robert S. Baker |
Screenplay by |
Peter Hammond Monty Berman |
Starring |
Lee Patterson Eddie Byrne Betty McDowall John Le Mesurier Ewen Solon |
Music by |
Stanley Black (UK) Jimmy McHugh (US) Pete Rugolo (US) |
Cinematography | Robert S. Baker Monty Berman |
Edited by | Peter Bezencenet |
Production
company |
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Distributed by | Regal Film Distributors (UK) Embassy Pictures (through Paramount Pictures) (US) |
Release date
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Running time
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84 min. |
Country | United Kingdom |
Language | English |
Budget | £50,000 |
Box office | $1.1 million (US) |
Jack the Ripper was a 1959 film produced and directed by Monty Berman and Robert S. Baker, and is loosely based on Leonard Matters' theory that Jack the Ripper was an avenging doctor. The black-and-white film starred Lee Patterson and Eddie Byrne and co-starred Betty McDowall, John Le Mesurier, and Ewen Solon. It was released in England in 1959, and shown in the U.S. in 1960.
The film borrowed icons from previously successful horror films, such as Dracula (1958) and The Curse of Frankenstein (1957), by giving the Ripper a costume of a top hat and cape. The plot is a standard "whodunit" with the usual false leads and a denouement in which the least likely character, in this case "Sir David Rogers" played by Ewen Solon, is revealed as the culprit. As in Matters' book, The Mystery of Jack the Ripper, Solon's character murders prostitutes to avenge the death of his son. However, Matters used the ploy of the son dying from venereal disease, while the film has him committing suicide on learning his lover is a prostitute.
In 1888, Jack the Ripper is on his killing spree. Scotland Yard Inspector O'Neill (Byrne) welcomes a visit from his old friend, New York City detective Sam Lowry (Patterson), who agrees to assist with the investigation. Sam becomes attracted to modern woman Anne Ford (McDowall) but her guardian, Dr. Tranter (Le Mesurier), doesn't approve. The police slowly close in on the killer as the public becomes more alarmed. The killer's identity is revealed and he meets a ghastly end.
The film's budget was raised from a combination of pre-sales to Regal Film Distributors at the National Film Finance Corporation.
Joseph E. Levine bought the US rights for £50,000. He later claimed he spent $1 million on promoting the movie and earned $2 million in profit on it.