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Jack Schiff

Jack Schiff
Born Jack Schiff
1909
Died April 30, 1999 (aged 89)
Nationality American
Area(s) Writer, editor
Notable works
Batman
Detective Comics

Jack Schiff (1909–April 30, 1999) was an American comic book writer and editor best known for his work editing various Batman comic book series for DC Comics from 1942 to 1964. He was the co-creator of Starman, Tommy Tomorrow, and the Wyoming Kid.

Jack Schiff entered the comics industry after attending Cornell University. At DC Comics, he co-created the original Starman with artist Jack Burnley and editors Whitney Ellsworth, Murray Boltinoff, Mort Weisinger, and Bernie Breslauer in Adventure Comics #61 (April 1941). DC hired Schiff as an editor in 1942 and he oversaw the various Batman and Superman comic book titles after Weisinger was drafted into military service during World War II. He wrote the story "Case of the Costume-Clad Killers" in Detective Comics #60 (Feb. 1942) which introduced the Bat-Signal into the Batman mythos. Schiff developed a series of public service announcements which ran throughout DC's entire publishing line from 1949 to the mid-1960s and scripted the "Johnny Everyman" feature which had been created by Nobel Prize laureate Pearl S. Buck. He launched comic book titles which were licensed from the popular radio programs A Date with Judy,Gang Busters, and Mr. District Attorney and co-created new characters such as Tommy Tomorrow and the Wyoming Kid. His introduction of science fiction concepts into the Batman stories met with mixed results. In 1958, he became involved in a legal dispute with artist Jack Kirby over the "Sky Masters" newspaper comic strip and Schiff won the resulting lawsuit. The following year, he and Dick Dillin created Lady Blackhawk in Blackhawk #133 (Feb. 1959). DC's upper management removed Schiff as editor of Batman and Detective Comics due to low sales and replaced him with Julius Schwartz in 1964.Mystery in Space and Strange Adventures were given to Schiff as replacements to edit. He retired from DC after 25 years with the company and his final editing credit appeared in House of Mystery #169 (Sept. 1967).


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