J.R. Monterose
| J. R. Monterose | |
|---|---|
| Birth name | Frank Anthony Peter Vincent Monterose, Jr. |
| Born |
January 19, 1927 Detroit, Michigan, U.S. |
| Origin | Utica, New York |
| Died | September 16, 1993 |
| Genres | Jazz |
| Occupation(s) | Musician |
| Instruments | Saxophone |
| Years active | 1947–1988 |
| Associated acts | Henry Busse, Buddy Rich, Claude Thornhill, Kenny Dorham |
J. R. Monterose (January 19, 1927 – September 16, 1993), born Frank Anthony Peter Vincent Monterose, Jr. in Detroit, was an American jazz tenor (and occasional soprano) saxophonist.
J.R. or JR (derived from Jr.) Monterose grew up in Utica, New York, where his family moved a few months after his birth. He began formal clarinet studies at thirteen, but was largely self-taught as a tenor saxophonist, which he took up at fifteen after hearing Glenn Miller band soloist Tex Beneke. His earliest influences were Coleman Hawkins and Chu Berry, but, as he told critic Leonard Feather, he also found harmonic inspiration in pianists, citing Bud Powell and the instruction of Utica-based guitarist and pianist Sam Mancuso in helping him learn how to use chord changes.
Monterose's first professional experience was playing in upstate New York territory dance bands (1947–49). In 1950 he joined Henry "Hot Lips" Busse's touring orchestra. After a brief return to Utica, he joined the Buddy Rich big band in late 1951. Though the band had some excellent bop-oriented musicians (Rich, Dave Schildkraut, Allen Eager and Philly Joe Jones) he soon left, citing the lack of soloing opportunities. "After six months I was drugged with my own playing," he declared in a 1956 interview, "and I went back home and spent the next couple of years working in little joints but with good men."
In New York City in the mid to late 1950s, Monterose was a featured soloist with Claude Thornhill's orchestra and with vibraphonist Teddy Charles' modernist groups, Charles Mingus's Jazz Workshop and Kenny Dorham's short-lived Jazz Prophets. Dorham, Monterose told critic Mark Gardner in 1975, "was one of the greatest leaders and players I ever played for...A wonderful musician." He also recorded two sessions as leader, J. R. Monterose (Blue Note, 1956) produced by Alfred Lion with liner notes by Leonard Feather and The Message (JARO, 1959) produced by Manny Albam with Nat Hentoff providing commentary.
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