Ivana Kobilca | |
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Self-portrait in White, around 1910
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Born |
Ivana Kobilca December 20, 1861 Ljubljana, Carniola, Austrian Empire |
Died | December 4, 1926 Ljubljana, Kingdom of Serbs, Croats and Slovenes |
(aged 64)
Nationality | Slovene |
Education |
School of Arts and Crafts, Munich study with the portrait painter Alois Erdtelt |
Known for | Painting, drawing, photography |
Notable work |
Dutch Girl (1886) Zitherist (around 1887) Coffeemadam (1888) Portrait of Sister Fani (1889) Summer (1889-90) Women Ironers (1891) Children in Grass (1892) Parisian Woman Selling Vegetables (1892) Self-Portrait (1894-95) Self-Portrait with a Palette (1914) |
Movement | Realism |
Elected | Société Nationale des Beaux-Arts |
Ivana Kobilca (20 December 1861 – 4 December 1926) is the most prominent Slovene female painter and a key figure of Slovene cultural identity. She was a realist painter who studied and worked in Vienna, Munich, Paris, Sarajevo, Berlin, and Ljubljana. She mostly painted oil paintings and pastels, whereas her drawings are few. The themes include still life, portraits, genre works, allegories, and religious scenes. She was a controversial person, criticised for following movements that had not developed further in later periods.
Ivana Kobilca was born in Ljubljana as a daughter in a wealthy family of a crafstman. Her parents gave great emphasis on education. At first, she learned how to draw, but also French and Italian, in the Ursuline High School in her home town, where her teacher of drawing was Ida Künl. When she was 16, she went with her father to Vienna, where she saw the paintings of old masters that inspired her. From 1879 to 1880, she studied in Vienna, where she copied the paintings at the gallery of the Academy of Arts, and from 1880 to 1881 in Munich. From 1882 to 1889, she continued her studies under Alois Erdtelt. In 1888, she participated for the first time in a public exhibition. At the following exhibition in Munich, her work was spotted and praised by the prominent German art historian Richard Muther. and then returned to Ljubljana. In 1890, she painted in Zagreb. In 1891 and 1892, she painted in Paris in the private school of Henri Gervex. She became an honorary member (membre associée) of Société Nationale des Beaux Arts. In 1892, she also painted in Barbizon. In 1893, she returned to Ljubljana, visited Florence in 1894, and lived in Sarajevo from 1897 to 1905. From 1906 to 1914, she lived in Berlin, and then returned to Ljubljana. At the time of her death in 1926 in Ljubljana, she was described as the greatest Yugoslav female painter.