"It Would Be So Nice" is a 1968 song by the rock band, Pink Floyd, written by the keyboard player/singer Richard Wright. It was the fourth single released by the group. The song was left out of the 1971 collection Relics and, prior to the release of The Early Singles in 1992 with the box set Shine On, it was only available on the Masters of Rock compilation and the famous bootleg Dark Side of the Moo. Its B-side, "Julia Dream", was written by the bass guitarist Roger Waters (who was gradually transitioning into his eventual role as the predominant songwriter and vocalist) and was also re-released on The Early Singles.

According to a newspaper story published in 1968, there are two versions of the original single with slightly different lyrics. The story goes that the first lyric had a passing reference to the London evening newspaper, the Evening Standard. This was said to be banned by the BBC because of a strict no-advertising policy which did not allow the mention of any product by name. The group was forced to spend additional time and expense to record a special version for the BBC which changed the lyric to "Daily Standard". This version is the only one that has been reissued on LP and CD. It is unknown how many of the "Evening Standard" discs, if any, actually exist. Despite the added publicity the single received very little airplay and failed to enter the UK Singles Chart.

In The Dark Side of the Moon: The Making of the Pink Floyd Masterpiece, John Harris writes about the song:

"The first recorded work [Pink Floyd] released in the wake of Syd Barrett's exit was Richard Wright's almost unbearably whimsical 'It Would Be So Nice,' a single whose lightweight strain of pop-psychedelia—akin, perhaps, to the music of such faux-counterculturalists as the Hollies and the Monkees—rendered it a non-event that failed to trouble the British charts; as Roger Waters later recalled, 'No one ever heard it because it was such a lousy record.' Waters' own compositional efforts, however, were hardly more promising. 'Julia Dream', the single's B-side, crystallized much the same problem: though the band evidently wanted to maintain the Syd Barrett aesthetic, their attempts sounded hopelessly lightweight."

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