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Ishmael Houston-Jones


Ishmael Houston-Jones (born 1951, Harrisburg, Pennsylvania, USA) is a choreographer, author, performer, teacher, curator, and arts advocate known for his improvisational dance and language work. This work has been performed in New York City, across the United States, in Europe, Canada, Australia and Latin America. Houston-Jones and Fred Holland shared a 1984 New York Dance and Performance Bessie Award for their work Cowboys, Dreams and Ladders performed at The Kitchen and he shared another Bessie Award in 2011 with writer Dennis Cooper and composer Chris Cochrane for the 2010 revival of their 1985 collaboration, THEM.THEM was performed at Performance Space 122 (PS 122) New York's American Realness Festival, Springdance in Utrecht, Tanz im August in Berlin, REDCAT in Los Angeles, Centre Pompidou in Paris, and at TAP,Theatre and Auditorium of Poitiers, France . The 1985 premier performance of THEM at PS122 was part of New York's first AIDS benefit.

Charles Houston Jones, born 1951 in Harrisburg, Pennsylvania was the only child of North Jones and Pauline Jones, née Houston. He attended public primary and secondary school there and he attended his first dance class when he was 16 years old and a junior at William Penn High School. The Harrisburg Community Theater offered free dance classes to teenagers, and as he was involved in theater in school he went. This jazz based show dancing was his first dance performing experience. He enrolled as an English/Drama major at Gannon College, (now Gannon University) in Erie, Pennsylvania in 1969; there was no dance program and he only studied there for two years before he “accidentally” dropped out. He was traveling around “the world” the summer after his sophomore year of college with the intention of returning in the fall. But then he found himself living in Israel for a year. He was a pig farmer for nine months at Kibbutz Lahav in the Negev Desert. Then he worked for three months on a banana plantation at Kibbutz Adamit in the Galilee on the border with Lebanon. Houston-Jones found 1971 to be a propitious time to be in Israel; it was the years between The Six-Day War and The Yom Kippur War and there was a calm atmosphere among the Israelis. He had always been fascinated by collective socialist living situations, so the idea of being on a kibbutz intrigued him. He had never done any kind of heavy farm work and while there he had to get up at 4 AM: feeding pigs, mating them and working in the slaughterhouse. When he moved north to Adamit he worked harvesting bananas, and at the end of most days, he and his comrades would go skinny-dipping in the Mediterranean and he’d sometimes dance on the beach in the nude. Houston-Jones was able to take just one dance class that entire year; the African-American choreographer and dancer Gene Hill Sagan was teaching on a nearby kibbutz. It was around this time that he began to use Ishmael as his first name and hyphenated his parents’ surnames, though he never legally changed either.


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