Irish dancing

Irish dancing or Irish dance is a group of traditional dance forms originating in Ireland which can broadly be divided into social dances and performance dances.

Irish social dancing can be divided further into céilí and set dancing. Irish set dances are quadrilles, danced by four couples arranged in a square, while céilí dances are danced by varied formations (céilí) of two to sixteen people. In addition to their formation, there are significant stylistic differences between these two forms of social dance. Irish social dance is a living tradition, and variations in particular dances are found across the Irish dancing community; in some places, dances are deliberately modified and new dances are choreographed.

Irish step dancing, popularised in 1994 by the world-famous show Riverdance, is notable for its rapid leg and foot movements, body and arms being kept largely stationary. The solo stepdance is generally characterised by a controlled and rigid upper body, straight arms and back, and quick, precise movements of feet and legs. The solo dances can either be in "soft shoes" or "hard shoes". Soft shoes are often called ghillies or pumps. They are constructed of very soft kid leather - similar to ballet shoes in texture. Their laces crisscross across the top of the feet and are tied up either around the ankle or under the arch of the foot. Hard shoes are often called heavy shoes or jig shoes. They are used to create the beautiful rhythmical percussions. They are made of black leather with fibreglass heels and taps on the tips of the shoes with a leather strap across the top of the foot.

The dancing traditions of Ireland probably grew in close association with traditional Irish music. Although its origins are unclear, Irish dancing was later influenced by dance forms from the Continent, especially the Quadrille. Travelling dancing masters taught all over Ireland, as late as the 18th and early 19th centuries. During this time, places for competitions and feis' were always small, so there was little room for the Dance Masters to perform. They had to dance on tabletops, sometimes even the top of a barrel. Because of this, the dancing styles were very contained, with hands rigid at the sides, and a lack of arm movement and travelling across the stage. As time went on, larger places for dance competitions and performances were found, so styles grew to include more movement, more dancing across the stage as seen, for example, in Riverdance.

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