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Invictus (film)

Invictus
Invictus-poster.png
Theatrical release poster
Directed by Clint Eastwood
Produced by
Screenplay by Anthony Peckham
Based on Playing the Enemy: Nelson Mandela and the Game that Made a Nation
by John Carlin
Starring
Music by
Cinematography Tom Stern
Edited by
Production
company
Liberty Pictures
Distributed by Warner Bros. Pictures
Release date
  • December 11, 2009 (2009-12-11)
Running time
133 minutes
Country United States
South Africa
Language English
Afrikaans
Maori
Zulu
Xhosa
Southern Sotho
Budget $50–60 million
Box office $122.2 million

Invictus is a 2009 American-South African biographical sports drama film directed by Clint Eastwood and starring Morgan Freeman and Matt Damon. The story is based on the John Carlin book Playing the Enemy: Nelson Mandela and the Game That Made a Nation about the events in South Africa before and during the 1995 Rugby World Cup, which was hosted in that country following the dismantling of apartheid. Freeman and Damon play, respectively, South African President Nelson Mandela and François Pienaar, the captain of the South Africa rugby union team, the Springboks.

Invictus was released in the United States on December 11, 2009. The title refers to the Roman divine epithet Invictus and may be translated from the Latin as "undefeated" or "unconquered". "Invictus" is also the title of a poem by British poet William Ernest Henley (1849–1903). The film was met with positive critical reviews and earned Academy Award nominations for Freeman (Best Actor) and Damon (Best Supporting Actor).

On 11 February 1990, Nelson Mandela is released from Victor Verster Prison after having spent 27 years in jail. Four years later, Mandela is elected the first black President of South Africa. His presidency faces enormous challenges in the post-Apartheid era, including rampant poverty and crime, and Mandela is particularly concerned about racial divisions between black and white South Africans, which could lead to violence. The ill will which both groups hold towards each other is seen even in his own security detail where relations between the established white officers, who had guarded Mandela's predecessors, and the black ANC additions to the security detail, are frosty and marked by mutual distrust.


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