Introjection

Introjection (German: Introjektion) is a psychoanalytical term with a variety of meanings. Generally, it is regarded as the process where the subject replicates in himself behaviors, attributes or other fragments of the surrounding world, especially of other subjects. Cognate concepts are identification, incorporation, and internalization. To use a simple example, a person who picks up traits from their friends (e.g., a person who begins frequently exclaiming "Ridiculous!" as a result of hearing a friend of theirs repeatedly doing the same) is introjecting.

Projection has been described as an early phase of introjection.

However, this meaning has been challenged by Maria Torok as she favours using the term as it is employed by Sándor Ferenczi in his essay "The Meaning of Introjection" (1912). In this context, introjection is an extension of autoerotic interests that broadens the ego by a lifting of repression so that it includes external objects in its make-up. Torok defends this meaning in her 1968 essay "The Illness of Mourning and the Fantasy of the Exquisite Corpse", where she argues that Sigmund Freud and Melanie Klein confuse introjection with incorporation and that Ferenczi's definition remains crucial to analysis. She emphasized that in failed mourning 'the impotence of the process of introjection (gradual, slow, laborious, mediated, effective)' means that 'incorporation is the only choice: fantasmatic, unmediated, instantaneous, magical, sometimes hallucinatory...crypt effects (of incorporation)'.

According to Freud, the ego and the superego are constructed by introjecting external behavioral patterns into the subject's own person.

In Freudian terms, introjection is the aspect of the ego's system of relational mechanisms which handles checks and balances from a perspective external to what one normally considers 'oneself', infolding these inputs into the internal world of the self-definitions, where they can be weighed and balanced against one's various senses of externality. For example:

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