International Tuba Euphonium Association
The ancient instrument the Serpent was chosen as the first symbol of the association.
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| Abbreviation | ITEA |
|---|---|
| Formation | 24 May 1975 as T.U.B.A. |
| Type | INGO |
| Legal status | 501(c) (3) NPO |
| Purpose | maintain a liaison among those who take a significant interest in tuba and euphonium |
| Location | |
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Region served
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Global |
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Membership
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Open to all taking a significant interest in tuba or euphonium |
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President
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Deanna Swoboda |
| Website | http://www.iteaonline.org |
The International Tuba Euphonium Association (ITEA), founded in 1973 as the Tubists Universal Brotherhood Association (TUBA), is an international organization dedicated to performers, teachers and friends of the tuba and euphonium.
The International Tuba Euphonium Association traces its roots to meetings of tuba students with their teacher, William Bell, who played with the NBC Symphony at McSorley's Old Ale House, in Manhattan, to discuss the tuba and the art of performance on the same over food and drinks. These informal meetings happened on an irregular schedule during the 1930s. A lighthearted, and unrepeatable name for this group was chosen by Bell that began with "The Royal Order of" for which the participants printed membership cards.
The Tubists Universal Brotherhood Association was started in the spirit of the tavern master classes between 1966 and 1971 by Robert Ryker, who played tuba with the Montreal Symphony Orchestra with the aid of J. Lesley Varner and Winston Morris. Ryker advertised seeking those interested in forming an organization for tuba players and quickly received support including funding from Conn and Miraphone. Three masters were first declared honorary members: Harvey Phillips (later innovator of Oktubafest and Tuba Christmas), Arnold Jacobs, and William Bell, from whom the inspiration had been drawn. The name T.U.B.A. was proposed by Ryker at the outset.
T.U.B.A. became an international movement following The First International Tuba Symposium-Workshop and the beginning of its newsletter, the T.U.B.A. Journal in 1973. A primary goal of the first symposium was to reach-out to composers and facilitate new works for the tuba. Harvey Phillips later estimated some 150 new works derived from that effort. The euphonium was added to the scope of the association with a national symposium title being edited to include "tuba-euphonium" in 1974. The constitution drafted in 1973 was revised and adopted in 1975.
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