"Institutionalized" | ||||
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Single by Suicidal Tendencies | ||||
from the album Suicidal Tendencies | ||||
Released | 1983 | |||
Format | Vinyl | |||
Recorded | 1983 | |||
Genre | Hardcore punk | |||
Length | 3:49 | |||
Label | Frontier | |||
Writer(s) | Mike Muir | |||
Producer(s) | Glen E. Friedman | |||
Suicidal Tendencies singles chronology | ||||
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"Institutionalized" is a song by American crossover thrash band Suicidal Tendencies. It was released in 1983 as the only single from their debut album, Suicidal Tendencies. "Institutionalized" is one of the band's most popular songs and has remained a live staple since it was first played in 1982. The song was re-recorded on the band's 1993 album Still Cyco After All These Years; this version was nominated for the Grammy for Best Metal Performance in 1994, but lost to Ozzy Osbourne's live version of "I Don't Want to Change the World".
The original version of the song was featured on the long-out of print compilation album F.N.G., while the Still Cyco After All These Years version appears on Prime Cuts and Playlist: The Very Best of Suicidal Tendencies, which was not endorsed by the band. The song was also included in the 12-inch EP Institutionalised, which was released exclusively in the UK in 1988 after Suicidal Tendencies had risen in popularity.
The song was written by Louiche Mayorga, Interview when he was in Suicidal Tendencies. The music video follows what is presumably a teenage Mike Muir through a series of social conflicts with friends and, more significantly, parents. The protagonist's friends notice his behavior and suggest talking about it, only for him to refuse any help. This then continues with his parents, who are convinced that he is on drugs and needs mental aid. Once again, this results in retaliation and denial from the protagonist who suggests that they are in fact the crazy ones. The lyrics in the verses are not sung, but spoken in a run-on sentence style. The lyrics are complemented by the lead guitar, which is subdued at the start of the verses, but becomes more frantic and powerful with the protagonist's confrontations and emotional outbursts.