Indrė Šerpytytė | |
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Šerpytytė at her studio in London, 2015
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Born | 1983 Palanga, Lithuania |
Nationality | Lithuanian, British |
Education | Royal College of Art and University of Brighton |
Known for | Contemporary Art, Fine Art Photography |
Notable work | 150 mph, 2 Seconds of Colour, (1944 – 1991), Drancy, A State of Silence |
Awards | The Arts Foundation, Rencontres d’Arles, Magenta Foundation Flash Forward, National Media Museum, Hoopers Gallery, Metro Imaging, Fujifilm Distinction Award, Terry O’Neill Award, Jerwood Foundation |
Website | www |
Indrė Šerpytytė (born 1983) is a Lithuanian artist living and working in London. Šerpytytė is concerned with the impact of war on history and perception, and works with photography, sculpture, installation and painting.
Her work is held by the Victoria and Albert Museum, David Roberts's Collection and Derwent London and have been exhibited at Tate Modern, The Museum of Modern Art (MoMA), The Photographers' Gallery, Museum of Contemporary Art in Kraków and Museum Folkwang, among others.
Šerpytytė was born in 1983 in Palanga, Lithuania and moved to London at the age of 14. She received her MA in photography from The Royal College of Art, London and her BA in editorial photography from the University of Brighton.
Former NKVD - MVD - MGB - KGB Buildings (2009 - 2015, ongoing) centres on the after-effects of World War II in Lithuania. These black and white images tell an almost forgotten story of the domestic conflicts of war, in which people were interrogated and tortured in what were once family homes. Rather than representing the buildings themselves, or showing the inhabitants or victims directly, Šerpytytė uses commissioned, hand-carved wooden models based on archival research and site visits to comment on both the physical and humanitarian scale of the conflict and to recall events that have faded over time. From the same series, Forest Brothers (2009) looks at the Lithuanian forest as a place both to hide and to disappear as it revisits the environments once home to the period's most active resistance force.