In a Grove

"In a Grove" (藪の中, Yabu no Naka^?) is a short story by Ryūnosuke Akutagawa; it first appeared in the January 1922 edition of the Japanese literature monthly Shinchō. Akira Kurosawa used this story as the basis for the plot of his award-winning movie Rashōmon.

"In a Grove" is an early modernist short story, as well as a blending of the modernist search for identity with themes from historic Japanese literature, and as such is perhaps the iconic work of Akutagawa's career. It presents three varying accounts of the murder of a samurai, Kanazawa no Takehiro, whose corpse has been found in a bamboo forest near Kyoto. Each section simultaneously clarifies and obfuscates what the reader knows about the murder, eventually creating a complex and contradictory vision of events that brings into question humanity's ability or willingness to perceive and transmit objective truth.

The story opens with the account of a woodcutter who has found a man's body in the woods. The woodcutter reports that man died of a single sword stroke to the chest, and that the trampled leaves around the body showed there had been a violent struggle, but otherwise lacked any significant evidence as to what actually happened. There were no weapons nearby, and no horses—only a single piece of rope, a comb and a lot of blood.

The next account is delivered by a traveling Buddhist priest. He says that he met the man, who was accompanied by a woman on horseback, on the road, around noon the day before the murder. The man was carrying a sword, a bow and a black quiver. All of these, along with the woman's horse, a tall, short-maned palomino, were missing when the woodcutter discovered the body.

The next person to testify is a hōmen (放免, a released prisoner working under contract to the police, similar to a bounty hunter). He has captured an infamous criminal named Tajōmaru. Tajōmaru was injured when thrown from a horse (a tall, short-maned palomino), and he was carrying a bow and a black quiver, which did not belong in his usual arsenal. This proves, he says, that Tajōmaru was the perpetrator. Tajōmaru was not carrying the dead man's sword, however.

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