In Spring | |
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Directed by | Mikhail Kaufman |
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Country | Ukrainian SSR |
Language | Silent film |
In Spring (Ukrainian: Навесні, translit. Navesni, Russian: Весной, translit. Vesnoi) is a 1929 Soviet Ukraine silent experimental documentary directed by Mikhail Kaufman. It was the first independent work of the cinematographer, made in accordance with the ideas of the avant-garde manifesto Kinoks and was Kaufman's directorial debut.
According to some Russian media, at the end of the 20th century the film was considered lost; a copy was discovered in 2005 at an archive in Amsterdam.
It was Kaufman's response to the film "Man with a Movie Camera", proving that it is possible without the help of intertitles to express certain ideas differently than Vertov.
A discord between Michael Kaufman and Dziga Vertov foreshadowed the creation of the film "In Spring". Between the filmmaker brothers there were creative differences even when working on the picture Man with a Movie Camera. According to Kaufman, the film itself had a lot of chaos, and footage assembly was carried out without "a clearly worked out plan". The spat led to Mikhail deciding to create his own film on the basis of stylistic and technical methods that have been used by him in previous films:
"That year with Vertov we diverged in views for good and all and began to work independently. I was armed with a movie camera and had a multitude of methods concerning reflection of life. Regarding the topic of spring, I actually stumbled upon it by accident."
By composition, the picture "In Spring" was divided into five nominal parts ("At the Turn", "Spring Vexation", "Life", "National Holidays", "Spring is Coming"), but the director did not conduct a special "organization of material for the film"; at the heart of the work was only observation of the progress of life. At the same time, as noted by Nikolai Ushakov, author of the book "Three Cinematographers", Kaufman sometimes had to take on the role of a tamer: to get closer to a bird which is filmed and to get its trust, he "accustomed it to a movie camera".