Ilya Sergeyevich Glazunov Илья Сергеевич Глазунов |
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Born |
Leningrad, Soviet Union |
10 June 1930
Nationality | Russian |
Known for | painting |
Awards |
People's Painter of the USSR People's Artist of Russia State Prize of the Russian Federation Order of Merit for the Fatherland |
Ilya Glazunov (Russian: Илья Глазунов; born 10 June 1930) is a Russian artist from Saint Petersburg. He holds the title of People's Artist of Russia, and serves as a rector at the Russian Academy of Painting, Sculpture and Architecture in Moscow (Russian: Российская академия живописи, ваяния и зодчества).
Ilya Glazunov's paintings have mostly historic or religious themes. Famous works include Russia the Eternal, The 20th Century Mystery, The Ruining of the Temple on Easter Night, and illustrations to the works of Fyodor Dostoyevsky.
Ilya Glazunov was one of the main advocates behind the restoration of the Cathedral of Christ the Saviour (Moscow). Soviet statesman Mikhail Suslov in his later yearsn formed a close relationship with Glazunov. After a long time spent out of favour, Glazunov was given permission for a massive solo exhibition in the Manège. In the 1980s Ilya Glazunov was associated with far-right Pamyat society and became known for his nationalistic views.
The artist's father was an historian named Glazunov Sergey Fedorovich. His mother's name was Glazunova Olga Konstantinovna. Ilya Glazunov survived World War II, in part because, in 1942, then-eleven-year-old Ilya was transported from besieged Leningrad along the Road of Life. He stayed in the village of Greblo in the Novgorod region after his entire family perished from starvation. In 1944, he returned to Leningrad and studied in the secondary art school. From 1951 to 1957 he studied art under the direction of Professor Boris Ioganson.
In 1956, he married Nina Vinogradova-Benois. He painted the image of Nina in many of his works. Nina Aleksandrovna was a descendant of the Benois family, a familiar name art history. Her uncle was the artistic director of the La Scala Opera for 30 years. On 24 May 1986, Nina Vinogradova-Benois committed suicide, just a few days before the opening of the exhibition of her husband in Manege. Their children, Ivan and Vera, have both become artists.