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Illya Darling

Illya Darling
IllyaDarling.jpg
Original Cast Recording
Music Manos Hadjidakis
Lyrics Joe Darion
Book Jules Dassin
Basis Jules Dassin's film
Never on Sunday
Productions 1967 Broadway

Illya Darling is a musical with a book by Jules Dassin, music by Manos Hadjidakis, and lyrics by Joe Darion, based on Dassin's 1960 film Never on Sunday.

The show previewed in a tour of Philadelphia, Toronto and Detroit for nine weeks. After 22 previews, the Broadway production opened on April 11, 1967 at the Mark Hellinger Theatre and closed on January 13, 1968, after 320 performances and 22 previews. It was directed by Dassin, choreographed by Onna White, with scenic design by Oliver Smith, costume design by Theoni V. Aldredge, and lighting design by Jean Rosenthal.

Attendance was fueled by the star wattage provided by Melina Mercouri, who was nominated for a Tony Award, in the title role. She had starred in the film, which managed to overcome the mostly lukewarm to negative reviews. Critics found the plot too slight.

Other cast members included Orson Bean as Homer Thrace, Nikos Kourkoulos (who was also nominated for a Tony) in his Broadway debut as Tonio, and Hal Linden as No Face. After closing on Broadway, the show went on tour with Cyd Charisse as Illya.

The production was nominated for six Tony Awards, including Best musical, score, direction and choreography, but it did not win any.

The musical was presented by the Greek American Theatre Company of Los Angeles, running March 2003 to May 2003.

Illya, a carefree prostitute, plies her trade in the port town of Piraeus outside Athens. With no set rates, no pimp, and an inclination to sleep only with men she likes, she differs dramatically from the other local ladies-of-the-evening. Their pimp, Garbage, works for the mysterious No Face, who charges the girls exorbitant rents. Into her life comes Homer Thrace, a priggish American in search of the glories of Ancient Greece. Attracted by Illya's physical charms, he decides to teach her about the classics and to help her become a cultured lady, while she in turn introduces him to sensual pleasures. Homer's lesson plan is to separate her from her friends and the virile Tonio. Neither ends up happier.


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