If I Were You (play)
| If I Were You | |||
|---|---|---|---|
 |
|||
| Written by | Alan Ayckbourn | ||
| Characters | Mal Rodale Jill Rodale Chrissie Snaith Sam Rodale Dean Snaith |
||
| Date premiered | 17 October 2006 | ||
| Place premiered | Stephen Joseph Theatre, Scarborough | ||
| Original language | English | ||
| Subject | Marital difficulty | ||
| Genre | Drama / Comedy | ||
| Setting | The Rodales' home and Mal Rodale's workplace | ||
| Official site | |||
| Ayckbourn chronology | |||
|
|||
If I Were You is a 2006 play by British playwright Alan Ayckbourn. It is about an unhappy married couple who are given the chance to understand each other by discovering, quite literally, what they would do "if I were you".
This play was one of several attempts Alan Ayckbourn made to write a play involving swapping bodies. In 1990, Body Language was premiered, where a fat woman and a thin woman swap bodies from the neck down following a botched operation. And in 2002's The Jollies, a young boy is transported into an adult's body whilst his mother is transported into a young girl's body.
The play was written in January 2006, initially with the title If I Were You, which was then altered to I to I before reverting to the original. However, there were no plans to produce the play that year, as the Stephen Joseph Theatre already planned to produce revivals of Intimate Exchanges and Woman in Mind. However, on 21 February 2006, Alan Ayckbourn suffered a stroke. As a result, directorship of Intimate Exchanges passed to Tim Luscombe, and the production of Woman in Mind was eventually dropped altogether. Whilst in hospital, Ayckbourn decided to use his latest play as a goal to work towards. I to I was scheduled for the autumn slot vacated by Woman in Mind in June, rehearsed at the rehearsal studio at his home, and the play was announced to the public, now retitled as If I Were You, in July.
It has been argued that If I Were You is part of a trend of Ayckbourn's adult plays taking inspiration from his family plays (in this case, The Jollies, which also deals with the adjustments and insights of being someone else) – the first example being Improbable Fiction and its derivation from The Boy Who Fell into A Book and My Very Own Story.
There are five characters in the play. They are:
When Mal and Jill swap bodies, the actors continue playing their original body. (In other words, the actor who starts playing Mal later plays Jill in Mal's body, and vice versa.) This is in contrast to Body Language where the two actresses continued playing themselves in new bodies.
The stage is split into three sections, each a room of the Rodales' house: Mal and Jill's bedroom, the kitchen, and the living room. Like the setting used in Bedroom Farce and Private Fears in Public Places, scene changes are controlled by switching the lighting from one area of the stage to the other. However, in a setting unique to this play, the whole stage is also used to represent the showroom floor at Mal's place of work.
...
Wikipedia