Idoru

Idoru

cover of the United Kingdom edition
Author	William Gibson
Language	English
Series	Bridge trilogy
Genre	Science fiction, post-cyberpunk
Publisher	Viking Press
Publication date	September 4, 1996
Media type	print (hardback and paperback), audiobook
Pages	304
ISBN
OCLC	39158749
Preceded by	Virtual Light
Followed by	All Tomorrow's Parties

Idoru is the second book in William Gibson's Bridge trilogy. Idoru is a science-fiction novel set in a postmodern, dystopian, cyberpunk future. The main character, Colin Laney, has a talent for identifying nodal points, analogous to Gibson's own:

Laney’s node-spotter function is some sort of metaphor for whatever it is that I actually do. There are bits of the literal future right here, right now, if you know how to look for them. Although I can’t tell you how; it’s a non-rational process.

In the post Tokyo/San Francisco earthquake world of the early 21st century, Colin Laney is referred to agents of mega-rock star Rez of the musical group Lo/Rez for a job using his peculiar talent of sifting through vast amounts of mundane data to find "nodal points" of particular relevance. Rez has claimed to want to marry a synthetic personality named Rei Toei, the Idoru (Japanese Idol) of the title, which is apparently impossible and therefore questioned by his loyal staff, particularly by his head of security, Keith Blackwell. Blackwell believes that someone is manipulating Rez, and wants Laney to find out who. Simultaneously, the Seattle chapter of the Lo/Rez fan club is discussing exactly the same topic of the unbelievable marriage of human and AI construct. Fourteen-year-old Chia Pet McKenzie is chosen by the group to go to Tokyo and meet with the Tokyo chapter to find out what is really happening. On the flight she meets a woman named Maryalice, who dupes her into unwittingly carrying a contraband item through customs in Tokyo.

Laney accepts his new position warily, but is conflicted throughout much of the novel by his past involvement with a powerful infotainment organization, "SlitScan", which thrives on destroying media personalities by exposing their secrets. In the course of this earlier job he feels responsible for the death of an innocent party. His talent had allowed him a foreshadowing of a probable suicide but SlitScan had tried to limit Laney's role to passive observer. However, Laney's conscience snapped and he attempted at the last moment to stop the suicide, but instead became mired in a scandal. Yet another organization claiming to be a media watchdog steps in and tries to pull Laney away from SlitScan to use his story to expose SlitScan’s involvement in illegal spying. This goes awry and Laney is left high and dry and alone. Further complicating Laney’s life is that Kathy Torrance, his controller from SlitScan, is attempting to blackmail him with false evidence into betraying his current employers, Lo/Rez, by exposing whatever secret she thinks they are hiding.