Ibis (Ovid)

Ovid's Ibis is a highly artificial and history-bound product and does not make pleasant reading. But it is interesting, among other things, because it illustrates the writer's propensity for moving on more than one plane of reality. The poem contains elements from three distinct modes of reacting to the same outrage; of these, the first may be called realistic, the second romantic, and the third grotesque.

Ibis is a curse poem by the Roman poet Ovid, written during his years in exile across the Black Sea for an offense against Augustus. It is "a stream of violent but extremely learned abuse," modeled on a lost poem of the same title by the Greek Alexandrian poet Callimachus.

The object of the poet's curses is left unnamed except for the pseudonym "Ibis", and no scholarly consensus has been reached as to whom this pseudonym might refer to. Titus Labienus, Caninius Rebilus, Ovid's erstwhile friend Sabinus, and the emperor Augustus have all been proposed, as well as the possibility that "Ibis" might refer to more than one person, to nobody at all, or even to Ovid's own poetry.

The 644-line poem, like all Ovid's extant work except the Metamorphoses, is written in elegiac couplets. It is thus an unusual, though not unique, example of invective poetry in antiquity written in elegiac form rather than the more common iambics or hendecasyllabics. The incantatory nature of the curses in the Ibis has sometimes led to comparisons with curse tablets (defixiones), though Ovid's are elaborately literary in expression; the poem has also been seen as a type of devotio.

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