Iain Macnab
| Iain Macnab | |
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Iain Macnab, Spring Landscape, Tossa c1945
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| Born |
Iain Macnab of Barachastlain 21 October 1890 Iloilo, Philippines |
| Died | 24 December 1967 (aged 77) London |
| Nationality | British |
| Education | Glasgow School of Art, Heatherley’s School of Fine Art |
| Known for | Wood-engraver and painter |
Iain Macnab of Barachastlain (21 October 1890 – 24 December 1967) was a Scottish wood-engraver and painter.
As a prominent teacher he was influential in the development of the British school of wood-engraving. His pictures are noted for clarity of form and composition.
His concepts of the sense of motion which could be created by the shape of repetitive parallel lines were of profound influence, in particular in relation to the art of linocut – an art form which both he and Claude Flight pioneered at the Grosvenor School where with the teachers included Cyril Power and Sybil Andrews.
His work was shown in the British pavilion at the Venice Biennale of 1930.
Iain Macnab was born in Iloilo in the Philippines on 21 October 1890 to Scottish parents, the son of John Macnab of the Hongkong and Shanghai Bank. The family moved to Scotland when he was young.
He served in France in the First World War as a captain in the Argyll and Sutherland Highlanders. He was severely wounded as a machine-gun officer, invalided out and spent two years in bed recovering from his wounds. He rejoined the military in the Second World War, despite his age, and became a pilot officer in the Royal Air Force Volunteer Reserve. He was again wounded and invalided twice, in 1942 and 1945.
He married the dancer Helen Wingrave.
Macnab was educated at Merchiston Castle School in Edinburgh before studying at Glasgow School of Art and then at Heatherley’s in 1918. From 1919-1925 he was principal of Heatherley’s School of Art.
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Wikipedia