I S Johar
| I. S. Johar | |
|---|---|
| Born |
16 February 1920 Tollagannj, British India |
| Died | 10 March 1984 (aged 64) Bombay, Maharashtra, India |
| Occupation | Actor, director, producer, writer |
| Years active | 1931–84 |
| Spouse(s) | Ramma Bains (divorced), Sonia Sahni |
Inder Sen Johar (16 February 1920 – 10 March 1984), better known as I. S. Johar, was an Indian actor, writer, producer and director.
He was born on 16 February 1920, in Talagang (Now in Pakistan), British India. He completed MA degree in Economics and Politics before completing his LLB. In 1947, during the Partition crisis, Johar was visiting Patiala with his family for a wedding, when riots broke out back home in Lahore. He could never go back, and thereafter he worked in Jalandhar for a while, and his family remained in Delhi, before he eventually moved to Bombay, where he made his acting debut with Roop K Shorey's, Ek Thi Ladki (1949).
Johar acted in numerous Hindi films from the 1950s through to the early 1980s and played cameos in international films such as Harry Black (1958), North West Frontier (1959), Lawrence of Arabia (1962) and Death on the Nile (1978), besides acting in Maya (1967), a US TV series. He also appeared in Punjabi films, including Chaddian Di Doli (1966), Nanak Naam Jahaaz Hai (1969) with Prithviraj Kapoor, and Yamla Jatt with Helen.
I. S. Johar also wrote and directed films, including the partition-based Hindi movie Nastik (1954), Johar Mehmood in Goa and Johar Mehmood in Hong Kong in which he co-starred with comedian Mehmood. These were inspired by comedy films of the Bob Hope-Bing Crosby style Road to... series. That being said, Johar was a unique and idiosyncratic individual, a lifelong liberal (if not a libertine: he had five marriages, an extraordinary number by Indian standards, both then and now) who poked fun at all forms of institutionalised self-satisfied smugness – an attitude which did not endear him to the essentially hierarchical and conservative Indian establishment, and might have contributed to being relegated to making B-grade movies all his life, due to a lack of finding financing for his highly individual and quirky screenplays. In many of his films, both those he directed and those he acted in, Sonia Sahni was the leading lady, most notably in Johar Mahmood in Goa, 1964.
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