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I Love My Lady

I Love My Lady
Studio album by Johnny Mathis
Released Unreleased
Recorded February 1981
Genre R&B
Length 38:32
Label Columbia
Producer Bernard Edwards
Nile Rodgers
Johnny Mathis chronology
The Best of Johnny Mathis 1975–1980
(1980)
I Love My Lady
(1981)
The First 25 Years – The Silver Anniversary Album
(1981)

I Love My Lady is an unreleased album by American pop singer Johnny Mathis that was completed in 1981. It was written and produced by Chic founders Bernard Edwards and Nile Rodgers and represents an attempt at shifting away from the easy listening style of music that Mathis had been recording for 25 years to the more contemporary sound of the team behind "Le Freak" and "We Are Family".

Johnny Mathis experienced a career resurgence in the spring of 1978 with the release of a duet he recorded with Deniece Williams titled "Too Much, Too Little, Too Late". The single was his first to achieve Gold certification from the Recording Industry Association of America, which at the time was awarded for sales of one million units in the US; it was his first song to make the top 40 on the Billboard Hot 100 since the number 30 showing of "Every Step of the Way" in 1963 and his first number one song on that chart since the magazine started it in 1958 (although "Chances Are" spent a week at number one on the magazine's "Most Played by Jockeys" chart in 1957). The duet also gave Mathis a resurgence in album sales with its inclusion on You Light Up My Life, his first top 10 entry on the magazine's LP chart since 1966 and his first non-holiday studio album to receive Platinum certification since 1959's Heavenly.

Mathis was able to sustain some of the momentum in album sales by re-teaming with Williams immediately for an entire album of duets: That's What Friends Are For went Gold and had a respectable peak at number 19 on the album chart but managed only the number 47 "You're All I Need to Get By" as far as pop chart entries. His first album release in 1979, The Best Days of My Life, only got as high as number 122 with two songs just making the Adult Contemporary chart, and his second, Mathis Magic, missed the Billboard album chart altogether and had no charting singles. Although he had been leaning more heavily on original material since the success with Williams, he had worked with the same producer, Jack Gold, on eight of the albums that he recorded between 1975 and 1980 and was willing to explore other options.


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