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III Sides to Every Story

III Sides To Every Story
Extreme-III Sides to Every Story.jpg
Studio album by Extreme
Released September 22, 1992
Recorded Early 1992
Genre Funk metal, hard rock, glam metal, heavy metal
Length 81:51
Label A&M
Producer Nuno Bettencourt, Bob St. John
Extreme chronology
Extreme II: Pornograffitti
(1990)
III Sides to Every Story
(1992)
Waiting for the Punchline
(1995)
Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars
The Daily Vault B
Entertainment Weekly B+
Q 3/5 stars

III Sides To Every Story is the third album by the Boston funk-metal band Extreme, released in 1992. It was the follow-up to the very successful Pornograffitti album. It was the last album with the band's original line-up: Gary Cherone, Nuno Bettencourt, Pat Badger and Paul Geary; Geary later left, and was replaced by Mike Mangini.

The album is structured as a concept album in three sections labeled as "sides" — a play on the notion of "different sides to a story" and that of "sides" of an album (in LP and cassette media). The sides, mentioned in the song "Cupid's Dead" as "three sides to every story" are named "Yours", "Mine" and "The Truth", and each features a distinct musical style and lyrical imagery.

Yours is made of hard rock songs, the guitar-centric style which the band had explored the most on their previous albums. Their funk-metal tendencies are present in tracks such as "Cupid's Dead", which also features a rap section performed by guest John Preziosa Jr. As a whole, this side deals with political subjects: war ("Warheads"), peace ("Rest In Peace"), government ("Politicalamity"), racism ("Color Me Blind"), media ("Cupid's Dead"). Summing up these matters, the side closes with "Peacemaker Die", a tribute to Martin Luther King, Jr., which features a recording of his famous "I Have A Dream" speech.

Mine, in total contrast, deals with introspective subjects. In accordance, the band departs from its guitar sound and experiments with different arrangements on this side, with Nuno Bettencourt playing keyboards in addition to (and in some tracks, instead of) the guitar. The side opening song, "Seven Sundays", is a slow waltz with prominent keyboards and no guitars. "Tragic Comic" is a mostly acoustic track telling a light-hearted love story. "Our Father" is sung from the perspective of the child of an absent father (although many interpret the song to be dealing with God as The Father). With "Stop The World", the album starts to delve into more philosophical questions, expressing existential doubts — a theme that leads to religion, with "God Isn't Dead?" (written with the verb form as an affirmation but with a question mark — the chorus says "Please tell me God isn't dead... I want to know") and "Don't Leave Me Alone", a dramatic plea. The latter was not included in the CD version because of lack of space; Nuno Bettencourt recalls leaving it out "was like cutting off my arm". Despite not being bound by the limitations of the CD format, the version of the album downloadable from iTunes also omits "Don't Leave Me Alone".


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