I'll Give All My Love to You
| I'll Give All My Love to You | ||||
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| Studio album by Keith Sweat | ||||
| Released | June 12, 1990 | |||
| Genre | New jack swing | |||
| Length | 50:56 | |||
| Label | Vintertainment, Elektra | |||
| Producer | Keith Sweat, Bobby Wooten, Teddy Riley | |||
| Keith Sweat chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Robert Christgau |  |
| Entertainment Weekly | C+ |
| Los Angeles Times |  |
| Rolling Stone | |
I'll Give All My Love to You is the second studio album by American R&B recording artist Keith Sweat. It was released on June 12, 1990, and went to #1 on the Top R&B albums chart and #6 on the Billboard 200. It spawned Sweat's second and third #1 R&B hits: "Make You Sweat" and the title track (both Top 20 pop hits), while "Merry Go Round" and "Your Love Part 2" were Top 5 R&B hits.
This was also the last Keith Sweat album under Vincent Davis' Vintertainment label, which would sever ties with Elektra soon after the release of this album. On March 7, 1991, I'll Give All My Love to You was certified double platinum by the Recording Industry Association of America, for shipments of two million copies in the United States. The single "Make You Sweat" was certified gold by the RIAA on October 4, 1990, for shipments of 500,000 copies in the United States.
In a review upon the album's release, Rolling Stone gave it three-and-a-half out of five stars and commented that "this album discusses love, lost, found and reclaimed, and lust over grinding, pounding synth grooves". In his consumer guide for The Village Voice, critic Robert Christgau gave the album a "dud" rating, indicating "a bad record whose details rarely merit further thought".Los Angeles Times writer Connie Johnson stated "Sweat's debut album 'Make It Last Forever' caught fire largely because of producer Teddy Riley, and his absence is strongly felt on this Sweat-produced follow-up".Greg Sandow of Entertainment Weekly complimented Sweat's vocals and singing style, but wrote that "despite all this passion, there's no obvious pop hit on the record [...] Most of the tracks sound interchangeably slow and steamy". In a retrospective review, Allmusic editor Alex Henderson called the album "a respectable disc that sounds consistently heartfelt and sincere", writing that "For all its high-tech production gloss and use of hip-hop elements, this self-produced CD reminds you that Sweat is quite aware of the great soul music of the 1970s".
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Wikipedia