Human Target (1992 TV series)
| Human Target | |
|---|---|
Title card
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| Genre |
Action Drama Spy fiction |
| Created by |
Danny Bilson Paul DeMeo |
| Developed by | ABC Studios |
| Starring |
Rick Springfield Kirk Baltz Sami Chester Signy Coleman |
| Opening theme | Human Target |
| Composer(s) | Anthony Marinelli Stanley Clarke |
| Country of origin | United States |
| Original language(s) | English |
| No. of seasons | 1 |
| No. of episodes | 7 (list of episodes) |
| Production | |
| Executive producer(s) | Danny Bilson Paul DeMeo Steve Hattman |
| Production company(s) | Pet Fly Productions Warner Bros. Television Distribution |
| Release | |
| Original network | ABC |
| Original release | July 20 – August 29, 1992 |
Human Target is an American action drama television series broadcast by ABC in the United States. It is based on the DC comic book character of the same title created by Len Wein and Carmine Infantino, and developed for television by Danny Bilson and Paul DeMeo. The seven-episode series premiered on July 20, 1992, and last aired on August 29, 1992. This series is unrelated to the 2010 Fox television series of the same name, also based on the Human Target character.
The series follows the adventures of Christopher Chance (Rick Springfield), a Vietnam War vet turned bodyguard and private investigator who uses advanced technology and sophisticated makeup to assume the identity of his client, becoming a human target. In a departure from the original comic book stories, Chance flies from job to job in a large, gizmo-laden stealth aircraft known as the Blackwing. Additionally, he is assisted by computer expert Philo Marsden (Kirk Baltz), Blackwing pilot Jeff Carlyle (Sami Chester), and former CIA operative Libby Page (Signy Coleman). Page coordinated Chance's missions, Carlyle also served as cook and chauffeur, while Marsden created new gadgets and developed the masks Chance used to impersonate his clients. Chance took an unusual approach to compensation for his services: ten percent of his client's annual income ("whether you're a busboy or the king of England"). One reviewer described the show as "50 percent Mission: Impossible (Martin Landau's master of disguise character) and 50 percent Quantum Leap (jumping into other people's lives at moments of crisis)."
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