Hubert de Cronin Hastings
| Hubert de Cronin Hastings | |
|---|---|
| Born |
18 July 1902 Merton, Surrey, England |
| Died | 4 December 1986 (aged 84) Fittleworth, Sussex, England |
| Nationality | United Kingdom |
| Occupation | Architectural editor |
Hubert de Cronin Hastings (18 July 1902 – 4 December 1986), often referred to in contemporary works as H. de C. Hastings (and known to friends as "H. de C."), was chairman of the Architectural Press and editor of Architectural Review and Architects' Journal.
Hastings was born at Merton, Surrey on 18 July 1902, the third son of Percy Hastings, proprietor of Architectural Press and founder of Architectural Review, and his wife Lilian Julie, née Bass. He was educated at Berkhamsted School, and worked first for his father's company before enrolling at Bartlett School of Architecture, part of University College, London. Disenchanted with the course's beaux arts leanings, he moved to UCL's art school, the Slade, where he was influenced heavily by cubism.
On 23 July 1927, Hastings married Hazel Rickman Garrard, a daughter of Charles Frederick Garrard and had two children with her: a son, John Hastings, and a daughter, Priscilla Hastings.
In 1927, Hastings took over (alongside Christian Berman) the editing of Architectural Review and Architect's Journal; he set about rearranging the format, including changes in typography and image (for which he commissioned artwork from Eric Gill), but also the content. From then on, the weekly Journal would be concerned with practical architecture, while the monthly Review was concerned with architecture as an art, regularly featuring articles on painting, sculpture, interior design and architectural history.
In the following years, he employed a new generation of writers to contribute to the publications, including Osbert Lancaster,Robert Byron,Evelyn Waugh,Cyril Connolly,Sacheverell Sitwell,P. Morton Shand and (from 1930) John Betjeman; during the Second World War, Nikolaus Pevsner assisted, while J.M. Richards was serving in the armed forces. Hastings was known to have had difficult working relationships with some of these young writers he employed. Betjeman's relationship with Hastings was largely amicable, though at times, as Hasting's Telegraph obituary states, "Betjeman was openly impatient of the petty rules imposed by the management" and nicknamed him "Old Obscurity".
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