Howling III: The Marsupials | |
---|---|
Elite Entertainment DVD Artwork
|
|
Directed by | Philippe Mora |
Produced by |
|
Written by |
|
Based on |
The Howling III: Echoes by Gary Brandner |
Starring |
|
Music by | Allan Zavod |
Cinematography | Louis Irving |
Edited by | Lee Smith |
Distributed by | Screen Media Films |
Release date
|
|
Running time
|
94 minutes |
Country | Australia |
Language | English |
Budget | $2 million or $1 million |
Howling III (also known as Howling III: The Marsupials and The Marsupials: The Howling III) is a 1987 Australian horror sequel to The Howling, directed by Philippe Mora and filmed on location in and around Sydney, Australia. Starring Barry Otto, Imogen Annesley and Max Fairchild, Howling III is the only PG-13 rated entry in the Howling series. The film has several subplots including scientists experimenting on werewolves, a young werewolf woman Jerboa searching for a better life, and soldiers hunting them.
Although Gary Brandner approved the director's purchase of the right to the name The Howling and the screen credits claim that it is based on Brander's novel The Howling III: Echoes, the novel is set in the United States and has a different story to the film with only slight similarities in terms of plot and sympathetic view of the werewolf. This aspect would be revisited in Howling VI: The Freaks.
In this movie, Australian werewolves have evolved separate from the rest of the werewolf population. They are marsupials - the female werewolves give birth to partly developed young which then makes its way to a pouch for further development.
Harry Beckmeyer (Barry Otto), an Australian anthropologist, has somehow obtained footage filmed in 1905 which appears to depict Australian Aborigines ceremonially sacrificing a wolf-like creature. Meanwhile, reports of a werewolf killing a man in Russia reach Beckmeyer and he seeks an audience with the U.S. President to try and warn him that there is a widespread case of lycanthropy afoot in the world. The President (Michael Pate) is dismissive.
A young Australian werewolf named Jerboa (Imogen Annesley) runs away from the rest of her pack into the city to avoid her step-father Thylo (Max Fairchild) and his physical and sexual abuse, all of which her family condones. She ends up spending the night on a park bench in Sydney near the Opera House and in the morning is spotted by an American man named Donny Martin (Leigh Biolos). The young man is infatuated with her instantly and attempts to approach her. Jerboa runs away frightened and he chases her through the park before finally catching up and telling her that due to her beautiful and naturally wild looks, she would be perfect for the female lead in a horror film he is helping to make: Shape Shifters Part VIII. While filming in Sydney's Hyde Park, Jack Citron (Frank Thring), the director of the film, hires her immediately due to her natural talent. Jerboa and Donny quickly fall in love and Donny takes Jerboa to see a movie (a fake werewolf film entitled: "It came from Uranus") in which a "werewolf" transforms and Jerboa tells Donny that the transformation "doesn't happen like that" which leaves Donny puzzled. Later, after making love, Donny is curious as to why Jerboa refused to take off her top while they were together and notices that Jerboa's lower abdomen is covered in downy white fur and what appears to be a long scar, but he does not question her about it. It is shown that a full moon has risen outside.